The late great artist Hadi Al-Jiyar carried a rich artistic history that exceeds 50 years, as his talent caught the attention of his professors at the Higher Institute for Dramatic Arts, who offered him a large number of works to present in his beginnings while he was a student at the institute several theatrical performances and televised nights, although his batch in the institute was fully enjoying With distinguished talents such as “Muhammad Sobhi, Nabil Al-Halafawi, Lotfi Labib and Shaaban Hussein”, but he preceded them in their beginnings.
Hady al-Jayar, one of the riot students, left, to join those who preceded him and were with him in the famous play “School of the rioters”, to go to the stars Saeed Saleh, Ahmed Zaki, Younis Shalaby and Hassan Mustafa, where the neighbor presented the role of “Lotfy” in the famous show, which was the real beginning of his entry into the world of fame and knowledge The audience, especially after the play has been staged for many years in Egypt and abroad, although he participated in many artistic works before this show, including the play “Cairo in a Thousand Years” and the series “Cairo and the People”, in 1972.
In a previous interview, Hadi Al-Jiyar admitted that the play “School of the rioters” helped him a lot in the audience’s knowledge of him, and confirmed that his candidacy for the show was from the great star Adel Imam, when he met him by chance in the office of director Mohamed Fadel, where the leader was in the director’s office Al-Kabeer decided to agree with him on a job displayed on television, and he used to receive 15 pounds per month.
After the play “School of the rioters”, the artist Hadi Al-Jiyar was the least fortunate of the stars of the show, especially after all of them went to the cinema and shone in it, and on this matter the same neighbor said that he did not have the capabilities of Saeed Saleh, Adel Imam and Yunus Shalaby, as he saw that they had potential It qualifies them for cinema, especially in comic style, which was widespread during the seventies and eighties. His total cinematic participation did not exceed 5 films, including “Then the sun rises, beware of the gang of women, the journey of the rioters.”
During this period, Hadi Al-Jiyar in television drama kept moving from one directing school to another and innovating from one role to another, where he worked in important series with the great drama makers such as Muhammad Jalal Abdul Qawi, Osama Anwar Okasha and Majdi Abu Amira, to participate in series such as “Al-Mal and Al-Banoun”, which is part of the writer. Muhammad Jalal Abdel-Qawi, and the great director Magdy Abu Amira, and “Souk Al-Asr” by Muhammad Jalal Abdel-Qawy, and director Hany Ismail, and “Al-Raya Al-Bayda” by Osama Anwar Okasha, and the great director Muhammad Fadel, and “The Nile Is Still Running” Writer Osama Anwar Okasha, and the great director Muhammad Fadel, and “Sons But,” directed by Reda Al-Najjar, and “Disobedience” by Salama Hammouda, directed by Ahmed Al-Sabawi, and his contributions over the last 10 years include “Kafr Dalhab” and “Abdulaziz Street” And “Blood Chain”, “Abu Lauhah Jinan”, “King Farouk”, “Haq Dead”, “Al-Ostoura” and “The Spiritual Father”, and other works.
Hady Al-Jiyar excelled in all the roles he presented, especially in series such as “Al-Mal and Al-Banoun” with his famous character “Munem Al-Dhaou”, or “Barhami Al-Maghazi” in “Souk Al-Asr” or “Othman Al-Gharabawi in“ Al-Asr ”or“ Sayed Al-Arabi ”in your your“ Al-Ray you Al-Bayda ” , It was because of his work with major TV drama professionals, such as Osama Anwar Okasha, Muhammad Jalal Abdel-Qawi, Majdi Abu Amira, Muhammad Fadel and others who draw the characters accurately, as well as his proximity to all the characters he presents, and here I mean his internal and external features and his ability to immerse himself in the details surrounding all Personality so he seemed to excel in all the roles he presented.
Hady Al-Jiyar was deeply satisfied with all his artistic stations, and the artistic position he had reached. He was not aspiring to the absolute championship or aspiring to obtain the title of a star, but he was aware that championship is the mastery and distinction in the role assigned to him, regardless of his size, because he was He does not recognize absolute heroism in many of his statements. He always commented, that life is not a single hero, but a group of heroes who complete each other, as each of them plays a specific role in this world.
The neighbor realized that whenever the role he plays is close to people and discusses a topic that touches them, and stories that exist and live between them and come into contact with them, he will live for years to come, because the audience does not forget himself or his story when it is embodied on the screen, this neighbor is gone and his roles will not be removed from the memory of the audience or even from The history of Egyptian drama, and even his creations will still dazzle his viewers on the screens.