She worked in the prime of her life as an air hostess and a model, then she went to film work in the late sixties of the twentieth century, and in the seventies she was considered one of the most important symbols of seduction in Egyptian cinema, among her works (Miramar, who is able to Aziza, forbidden on the wedding night, a girl named Mahmoud, The world of children children).
She retired from art and wore the hijab in 1993, but returned several years later to act, but this time with a hijab through the TV series (Habib Al Soul).
The film is considered the only film that the artist Soheir Ramzy wants to forget and delete from her history, and she admitted that she regrets participating in it according to her statements in And Pendent Arabia and said during the interview with her that she hopes that the film will be deleted from her artistic history because of her deception by director Saeed Mazrouk After he filmed a scene of her while she was sleeping, she showed her naked and she did not expect to be filmed from a corner showing her naked, so she appeared in the movie while she was almost naked.
Because of the scene and its exposure in the cinema, she refused to participate in another film directed by Saeed Mazrouk, who called her and asked her to be with him, but she refused to protest against what he did during the filming of the movie The Guilty, which had a public turnout because of the hot scenes inside the film of the heroine who had fun with the characters who took the investigation With them in her murder, the film The Guilty, produced in 1975, the story of Mamdouh Al-Leithy
Journalist Amr Al-Laithi wrote about the film in Al-Khamis newspaper in 2018 about the film, saying: ((One of the films that left a great imprint in the history of Egyptian cinema is the film “The Sinners”, which collected many examples of characters present in every time and place, and the censorship of artistic works in Egypt did not go through a crisis. Like what I went through in 1977 because of that film, and which my father, may God have mercy on him, wrote for him, the great producer and scriptwriter Mamdouh El-Leithy, the script and dialogue for forty-two years, the story of our professor, the great writer Naguib Mahfouz, and directed by the great director Saeed Marzouq, which is one of the best 100 Egyptian films, and the film was striking in its nakedness Corruption in Egyptian society collided at all levels for all segments of society, but the presentation of the film in the official competition for the first rounds of the Cairo International Film Festival and its excellent reception from international critics, made censors tend to allow the film to be shown, especially since the movie “Karnak”, around which censorship problems revolved in 1975, was It may be decided to present it by political decision, which means that the general trend of the state tends to encourage freedom of expression .. Indeed, censorship has agreed.
The artist Suhair Ramzi is considered one of the most beautiful stars of her generation, the most daring and controversial, whether with regard to her artistic work or her personal life, as her marriages multiplied, so she exceeded ten marriages, and she justified the matter in an interview with her saying: “I was spending the waiting period in health, and I got married in the same On the day it ended, I became devoted to the father, brother and son, with a man’s sense and support.
The crisis between them again resurfaced because of the movie “Save What Can Be Saved”, as after the start of filming, “Suheir Ramzy”, declined to participate in the work because of a bold scene of her, she did not agree to shoot it, which angered Marzouq, and caused In a quarrel between them, Ramzy said: “When I first read the script of the film, I was surprised that it included a scene in which I printed the ‘eagle seal’ on separate parts of my body, which I completely refused because I found it inappropriate.”
And she continued: “When I spoke to him, I said that Egypt is working on this scene and I told him that I insist that I am not complete, so that Saeed Marzouq sues me for refusing to complete the filming of the film, after I made a long way in it, and ended up assigning my role in the film to the late artist Madiha Kamel.”
Soheir Ramzy stated that, in the seventies, she was offered to appear completely naked in a Lebanese movie for an attractive amount, but she refused, saying: “The scenes in the film are not comparable to the temptation she offered.”